Or as I like to call it - a jellyfish explosion in a boudoir
factory.
One needs lots of hats. You can't fight it - it's just a fact of life. This one's supposed to be a
bergere with loops and puffs of silk gauze all over the
crown, a la the "Brain Hat" from the American Duchess Guide to 18th Century Dressmaking. (page 153)
I began by covering a straw hat blank
with silk taffeta:
I traced the shape of the hat brim onto purple silk taffeta, leaving about an
inch of seam allowance at the edges. I
cut roughly out a hole for the crown, then stitched the silk down at the outer
edge of the brim, smoothing and folding the seam allowance over to the
underside of the hat. After that, I sewed the silk to the inner edge of the
brim, tight against the crown of the hat.
Next, I covered the crown with a square of purple silk taffeta, smoothed and
pinned my way around and over the edge of the crown.
I stitched the silk down
tightly against the base of the crown and cut away the excess. Because the hat will be covered in billows of
silk gauze, you don't need to make a clean finish here. You won't see it.
Next, I covered the underside of the hat. I've described how I line the
underside of a hat brim in a previous post here. The procedure is the
same - except that in this case when you bind the brim you can either use the silk you used for the top side of the hat, or you can choose a ribbon to match or contrast with your color
scheme.
The thing about lining hats is - it hurts.
Once the hat was
lined, I had to trim it. I use the words "had to," because I ran into technical difficulties almost
immediately.
I'd planned to make my 'brain' out of a rather
elegant gold-striped silk gauze, but the gauze fabric was lousy.
I'd purchased the fabric from a
highly-regarded retailer who had previously sold me wonderful fabrics, but this
particular gauze arrived as a loose, irregular weave, woven from a stiff,
coarse thread and the raw edges of this fabric didn't fray - they splintered,
shattering open when I cut the stuff, or lifted the stuff, or touched it, or,
cross my heart,even looked at it sideways from underneath my eyelashes. Commercial fray-check products didn't help at
all -the threads of the weave were so far apart that it was like dabbing glue
onto the end of a broom, and it was just about as useful.
For the ruffle along the edge of the brim, a conventional hem
was clearly right out of the question - when you put a needle through the
horrible stuff, the thread dragged out channels and drove puckers into the
cloth.
Eventually I worked out I could press - carefully - a half-inch fold without
losing more than 1/4 or 3/8 of an inch to the shattering problem, and I could
hold it - carefully - in place with a running stitch. If you didn't look too close.
For the brain I reckoned I'd have less trouble - puddling on a pile of the
stuff would hide the fraying edges beneath the puddle, and despite the
looseness of the weave, the gauze was so crisp that it would - surely - stand
up in lovely folds and puffs!
And it did. Unfortunately, there was one
more little problem: the weave of that damn gauze was so loose that my
pinhead were sliding right through - even my biggest clover quilting pins were
passing through like hot steel through a blob of butter, and pretty
soon I had a high balloon of gauze with
pins stuck to a straw shell underneath it, and
naturally, working a pin back out wasn't half as effortless as
watching it slight right in!
At this point I felt committed beyond point of return (please don’t argue here
about the economy of sunk costs. By now I wasn't a rational actor in any way, form or shape - so I pinned and I
stitched (and don't ask how the stuff handled the stitching either, thank you) and I
pinned, and I pinned and I stitched, and I stitched, and wherever the stitching
really wouldn't hold I stuck a pink bow,

- and then because I didn't even want to
look at that horrible gauze anymore I abandoned the ruffle and bound the hat in
a gold satin ribbon, and when I sat up to take a breath, it looked
GOOD.
And you'd think that
would be the end of it, wouldn't you?
I went away and did something else for a day or two, and felt pretty good about
the whole thing, really I did, but then I came back to the hat to stitch a pair
of ribbon ties to the underside, and I found that that bloody BLOODY gauze had
slipped its stitching in several places and was popping up where it shouldn't
be popping, so I had to sit down again and stitch it down again, and when I
sat up again, the stupid bloody brain was held down all right, but
there was absolutely almost no froof left in it whatsoever. All my big billows and puffs had been deflated into something that looked a
something like a collapsed pudding and something like a big gauze cowpat.
At this point there
was absolutely no enthusiasm left in ME whatsoever either.
Even worse, my puffy
pink bows stood out like a bouquet of sore pink thumbs. I bound the brim
edge with pink ribbon layered over the gold, to tie it all together, but now that hat looked like a freaking melted Neapolitan
ice-cream.
It was NOT a good moment.
I walked away again for another day or two.
And then I was done. I stuck that
stupid wonky ruffle onto the edge of the hat so that it looked more like a
deliberate sort of mess and less like a flat pudding on a purple plate
-
And then I got dressed up and took photographs to tell it that I hadn't been
beaten. I had WON. And whenever it slips another stitch or shreds at me I can pull out those
photographs, wave them at it, and it will KNOW that I
did.
Amen.